The iconic 1928 short film ‘Steamboat Willie,’ marking Mickey Mouse’s debut, recently entered the public domain as of January 1, 2024. The event has sparked a flurry of Mickey Mouse-themed horror projects, including the upcoming video game ‘Infestation 88,’ featuring a menacing iteration of Mickey, and the impending release of the horror film ‘Mickey’s Mouse Trap.’

Variety’s latest announcement adds another layer to this peculiar trend: a new untitled horror movie centered around ‘Steamboat Willie’ and the infamous Mickey Mouse.

Director Steven LaMorte, known for last year’s horror flick ‘The Mean One,’ a chilling take on the “Grinch” character, is set to helm this untitled horror-comedy. The film’s premise involves “a sadistic mouse” tormenting unsuspecting ferry passengers, promising a twisted spin on the beloved character.

“Steamboat Willie has brought joy to generations, but beneath that cheerful exterior lies a potential for pure, unhinged terror,” said LaMorte in a press release. “It’s a project I’ve been dreaming of, and I can’t wait to unleash this twisted take on this beloved character to the world.”

LaMorte emphasizes the filmmakers’ genuine affection for these characters, expressing their excitement in exploring new dimensions while paying homage to the originals. However, he clarifies that only the original incarnation of Mickey from ‘Steamboat Willie’ falls within the public domain. Using the name “Mickey Mouse” or the modern-day depiction could still result in legal repercussions from Disney.

Responding to the developments, a Disney representative asserted their commitment to safeguarding the rights of the modern-day Mickey Mouse and other copyrighted works. They affirmed that the character remains integral to Disney’s storytelling, theme parks, and merchandise.

Similar to Mickey Mouse, the version of Winnie the Pooh popularized by Disney isn’t within the public domain. Last year’s horror movie, ‘Winnie the Pooh: Blood and Honey,’ drew from the character’s original incarnation, distinct from Disney’s rendition.

LaMorte reassures audiences about their creative process, emphasizing that their depiction of the public domain character respects its legacy while delivering a thrilling and humorous cinematic experience.

As this unusual trend continues to unfold, stay tuned for more updates on these unconventional takes on beloved characters.